is the way a text draws in the world outside the text, what Robbins calls intertexture. There are four aspects or dimensions to intertexture: oral-scribal, cultural, social, and historical. “Oral scribal intertexture involves a text’s use of any other text outside of itself, whether it is an inscription, the work of a Greek poet, non-canonical apocalyptic material, or the Hebrew Bible.”101 His theory of oral-scribal intertexture suggests five ways in which a text refers to language in another text: